Current

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July 22, 2017 to October 22, 2017

July 22, 2017 to October 22, 2017

 

Now in its fourth cycle, Bronx Calling: The Fourth AIM Biennial features the work of seventy-two emerging artists from the 2016 and 2017 classes of the Bronx Museum’s Artist in the Marketplace (AIM) program. AIM provides professional development resources to emerging artists living and working in the New York metropolitan area. The exhibition is organized by Aylet Ojeda Jequin, Associate Curator of Contemporary Art, National Museum of Fine Arts, Havana; and the Bronx Museum’s Christine Licata, Director of Community and Public Programs; and, Heather Reyes, independent curator.

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July 19, 2017 to October 22, 2017

July 19 - October 22, 2017

 

Heidi Lau’s practice centers on the recreation of histories that have been lost to time. Colonial history, folk Taoist mythology and provincial superstitions provide essential source material through which her work explores homelessness and nostalgia. Painstakingly crafted and glazed by hand, her ceramic work is modeled after ritual objects, columns, funereal monuments, and fossilized creatures, while simultaneously deconstructing, and rebuilding these models into new hybrid forms.

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June 7, 2017 to October 22, 2017

June 7, 2017 to October 22, 2017

 

fifty five years
my life in blood and panels
and brown gay ink

 

Bronx-born Puerto Rican cartoonist and educator Ivan Velez exhibits a series of drawings related to comics, as well as his activist work spanning his thirty-year career. 

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May 6, 2017 to November 2017

May 6, 2017 to November 2017

 

The Randall’s Island Park Alliance and the Bronx Museum of the Arts are pleased to present FLOW, an annual summer art exhibition located on Randall’s Island in New York City. FLOW is aimed at fostering appreciation of the history and ecology of the island through artistic expression. FLOW.17 will feature the Island of Empirical Data and Other Fabrications a series of site-specific installations conceived by Rose DeSiano, an alumna of the Bronx Museum's Artist in the Marketplace (AIM) program for emerging artists.

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June 16, 2016 - Ongoing

June 16, 2016 - Ongoing

 

Bronx Terminal Market, in collaboration with The Bronx Museum of the Arts, will showcase a new community mural inspired by scenic outdoor locations in the Bronx.

 

Upcoming

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November 8, 2017 to April 8, 2018

November 8, 2017 to April 8, 2018.

 

Best known for his monumental cuts, holes, apertures, and excisions to the facades of derelict homes and historic buildings in New York, New Jersey, Chicago, and abroad, Gordon Matta-Clark’s work conveys a potent critique of architecture's role vis-à-vis the capitalist system. Taking as a point of departure the pivotal series of “cuts” produced in the Bronx in the early 1970s that led to his further exploration of the city as a field of action, Gordon Matta-Clark: Anarchitect will examine the artist’s pioneering social, relational, and activist approach. The exhibition highlights the political dialogue inherent in the artist’s artistic interventions—from his concern for the extreme plight of the homeless, his interest in direct community engagement, his belief that we should expand our lived experience of a city into its underground and other inaccessible spaces, and his commentary on development and socioeconomic stratification.

 

Gordon Matta-Clark: Anarchitect includes over 100 artworks by the artist, rarely seen materials from his archive, and immersive film projections. On view beginning November 2017, Gordon Matta-Clark: Anarchitect is organized by Antonio Sergio Bessa, Bronx Museum Director of Curatorial and Education Programs; and Jessamyn Fiore, independent curator and co-director of the Matta-Clark Estate. Following the Bronx Museum presentation, the exhibition will travel to the Jeu de Paume in Paris, France, the Kumu Art Museum in Tallinn, Estonia and the Rose Art Museum, in Waltham, Massachusetts.

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November 8, 2017 to April 8, 2018

Inspired by the boundless humanism in Walt Whitman’s poem “Crossing Brooklyn Ferry,” Susannah Ray has developed a new series of photographs on the waterways of New York City. In his poem, Whitman calls out to the tides, the gulls, the ferry passengers, the light, the clouds, the ships, the sailors, the waves, the cities on the far shore. In his eyes, all humans are divine, their reflected faces anointed by “fine spokes of light” in the passing waters. At the Bronx Museum, Ray will present a selection of images captured specifically in the Bronx.
 

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October 25, 2017 to April 29, 2018

The Bronx Museum of the Arts is proud to present an exhibition focusing on a series of new paintings by Angel Otero. On view at the Bronx Museum from October 25, 2017 through April 29, 2018, this exhibition will highlight Otero’s commitment to making paintings and sculptures that mine and celebrate key examples of the art of the past. Angel Otero: Elegies is organized by guest curator Christian Viveros-Fauné.

Past

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July 19, 2012 - June 2, 2013

Does style define man? For centuries, style has been the focus of debate whether concerning writing, behavior or fashion. Around the late 1970s, the term “wild style” began to circulate among graffiti artists in the South Bronx to denote the kind of graphics involving complex, interlocking letters with aerodynamic forms. Coined by the legendary Tracy 168, the expression became associated with the rise of graffiti art in New York City, specifically in the Bronx, in the 1970s and that ultimately became a global movement. Started as an underground movement, the “wild style” is now part of the mainstream, studied as an art form and exhibited in museums all over the world. Bronx Lab—Style Wars features a number of works that reflect on that era to pose the question of what is today’s style.


Artists include Afrika Bambaataa, Henry Chalfant, Lady K Fever, Keith Haring, Dr. Lakra, Valerie Larko, Glendalys Medina, Johnny Perez, Tim Rollins and K.O.S., Rigoberto Torres, Tats Cru

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February 12, 2012 – June 11, 2012

The MIT List Visual Arts Center in collaboration with The Bronx Museum of the Arts presents the first United States museum survey of the work of Chilean-born video artist Juan Downey (1940–1993). Juan Downey: The Invisible Architect features a selection of key works by this under-recognized pioneer of video art. A fellow at MIT’s Center for Advanced Visual studies in 1973 and 1975, Downey played a significant role in the New York art scene of the 1970s and 1980s.

Ranging thematically over several decades of the artist’s work, the exhibition includes early experiments with art and technology that mark a shift from object-based artistic practice to an experiential approach seeking to combine interactive performance with sculpture and video.  Along with this foundational early work, the exhibition also features Downey’s video installations of the 1970s and 1980s. These combine an autobiographical approach with the style of anthropological documentary—one of his most important contributions to the medium. In Downey’s later work, the intellectual and historical myths of European culture, as well as the roots of Latin American identity, are explored in complex video work that utilizes associative visual metaphors, collage-like techniques, and non-linear narrative.

In his two major series of works, Video Trans Americas and The Thinking Eye, Downey subjects the canonical and historical narratives of Western art to rich technical, visual, and intertextual analysis. In Video Trans Americas, begun in 1971, Downey anticipates much of the current interest in urbanism, post-colonial theory, and locality in contemporary artistic practice by mixing anthropology with autobiography. The Thinking Eye, a series made for public television, subjects the foundational concepts of Western culture—including the idea of the self—to linguistic, psychoanalytic, art historical, and semiotic interpretation, all through Downey’s mastery of video technology.

 

Presented in collaboration with The Bronx Museum of the Arts, Juan Downey: The Invisible Architect is organized by Valerie Smith, Curator at the Haus der Kulturen der Welt in Berlin. The exhibition will travel to the Arizona State University Art Museum, Tempe, AZ (September 24–December 31, 2011) and the Bronx Museum of the Arts in New York (February 12–May 20, 2012).


All images: Juan Downey Estate, Courtesy of Marilys B. Downey

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2011 to 2013

smARTpowers, an initiative of the Department of State's Bureau of Educational and Cultural Affairs, administered by The Bronx Museum of the Arts, sends 15 U.S. artists abroad to work with local artists and young people around the world to create community-based art projects. Selected artists design and implement programs within a 45 day period in cooperation with local arts organizations in China, Ecuador, Egypt, Ghana, India, Kosovo, Lebanon, Nepal, Nigeria, Pakistan, the Philippines, Kenya, Sri Lanka, Turkey, and Venezuela.

 

smARTpower artists are strongly encouraged to create a tangible legacy of the work, to remain in country, through a variety of visual arts media, including painting, sculpture, drawing, video, installation, photo-based work, public art, and interdisciplinary projects. Projects emphasize participatory work and address a full range of relevant subjects including, but not limited to, women's empowerment, the environment, health, education, and civic engagement.