Current

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February 17, 2017 to July 3, 2017

February 17, 2017 to July 3, 2017

 

Wild Noise/Ruido Salvaje is an exploration of contemporary Cuban art from the 1970s to the present that looks at how Cuban artists both on the island and abroad have grappled with issues of identity, community, and the urban experience. Bringing together over 60 works by more than 30 artists from the Bronx Museum collection and other U.S. institutions and private collections, the exhibition will feature many artworks that will be publicly exhibited for the first time.

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March 1, 2017 to June 11, 2017

March 1, 2017 to June 11, 2017

 

Love Thy Neighbor is the third and final part of The Neighbors, an exhibition series guest curated by Sofía Hernández Chong Cuy for The Bronx Museum of the Arts. In this third iteration of the series, “the neighbor” is characterized as the figure of the “Other,” that is, an entity viewed as distinctly foreign from the community, but who ultimately plays a role in the group. By centering on the representation of cultural difference, Love Thy Neighbor is meant to be an occasion for considering alterity, for how diversity sensibly builds society. The exhibition features new work by visual artists Firelei Baez, Ignacio González-Lang, and Irvin Morazan, with the intent of exploring the cultural processes of “othering.” 
 

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March 1, 2017 to July 3, 2017

March 1, 2017 to July 3, 2017

 

The seven-part painting Reflecting on the Familiar is Hauben’s attempt at capturing the sense of envelopment, enormity, and often, of the incomprehension that comes with living in the congested urban environment of The Bronx. Rather than depicting just a small portion of his expansive view, Hauben enlarges the scale to create a multi-faceted vision of the world around him.

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March 1, 2017 to June 25, 2017

March 1, 2017 to June 25, 2017

 

At the Bronx Museum’s Terrace, Arlene Slavin will present a group of sculptures from Intersections, a series that plays off the principle of the sundial. In these works, Slavin employs crisscrossed, translucent colored webs which remain stable, while the shadow created by the works is in perpetual change. In addition to the works on the Terrace, Slavin will also create a site-specific installation with colored films on the windows in the Museum’s Second Floor, producing a modern riff on stained glass.

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May 6, 2017 to November 2017

May 6, 2017 to November 2017

 

The Randall’s Island Park Alliance and the Bronx Museum of the Arts are pleased to present FLOW, an annual summer art exhibition located on Randall’s Island in New York City. FLOW is aimed at fostering appreciation of the history and ecology of the island through artistic expression. FLOW.17 will feature the Island of Empirical Data and Other Fabrications a series of site-specific installations conceived by Rose DeSiano, an alumna of the Bronx Museum's Artist in the Marketplace (AIM) program for emerging artists.

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May 3, 2017 to May 29, 2017

May 3, 2017 to May 29, 2017

 

Organized by The Bronx Museum of the Arts Teen Council, this exhibition features artworks by New York City-based teen artists responding to the notion of time.

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June 16, 2016 - Ongoing

June 16, 2016 - Ongoing

 

Bronx Terminal Market, in collaboration with The Bronx Museum of the Arts, will showcase a new community mural inspired by scenic outdoor locations in the Bronx.

 

Upcoming

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November 8, 2017 to April 8, 2018

November 8, 2017 to April 8, 2018.

 

Best known for his monumental cuts, holes, apertures, and excisions to the facades of derelict homes and historic buildings in New York, New Jersey, Chicago, and abroad, Gordon Matta-Clark’s work conveys a potent critique of architecture's role vis-à-vis the capitalist system. Taking as a point of departure the pivotal series of “cuts” produced in the Bronx in the early 1970s that led to his further exploration of the city as a field of action, Gordon Matta-Clark: Anarchitect will examine the artist’s pioneering social, relational, and activist approach. The exhibition highlights the political dialogue inherent in the artist’s artistic interventions—from his concern for the extreme plight of the homeless, his interest in direct community engagement, his belief that we should expand our lived experience of a city into its underground and other inaccessible spaces, and his commentary on development and socioeconomic stratification.

 

Gordon Matta-Clark: Anarchitect includes over 100 artworks by the artist, rarely seen materials from his archive, and immersive film projections. On view beginning November 2017, Gordon Matta-Clark: Anarchitect is organized by Antonio Sergio Bessa, Bronx Museum Director of Curatorial and Education Programs; and Jessamyn Fiore, independent curator and co-director of the Matta-Clark Estate. Following the Bronx Museum presentation, the exhibition will travel to the Jeu de Paume in Paris, France, and the Kumu Art Museum in Tallinn, Estonia.

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July 22, 2017 to October 22, 2017

July 22, 2017 to October 22, 2017

 

Now in its fourth cycle, Bronx Calling: The Fourth AIM Biennial features the work of seventy-two emerging artists from the 2016 and 2017 classes of the Bronx Museum’s Artist in the Marketplace (AIM) program. AIM provides professional development resources to emerging artists living and working in the New York metropolitan area. The exhibition is organized by Aylet Ojeda Jequin, Associate Curator of Contemporary Art, National Museum of Fine Arts, Havana; and the Bronx Museum’s Christine Licata, Director of Community and Public Programs; and, Heather Reyes, Exhibitions and Collections Manager. The exhibition will be accompanied by a fully illustrated catalog.

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July 19, 2017 to October 22, 2017

July 19 - October 22, 2017

 

Heidi Lau’s practice centers on the recreation of histories that have been lost to time. Painstakingly built and glazed by hand, her ceramic work is modeled after ritual objects, columns, funereal monuments, and fossilized creatures, while simultaneously infesting, deconstructing, and rebuilding them on a cellular level. Lau uses symbolic artifacts and zoomorphic ruins as symbols of the archaic and the invisible, taking inspiration from colonial architecture and tenement houses in Macau that have mostly been demolished or gentrified beyond recognition. In the process, she continuously reenacts the non-linearity and materiality of the past, molding a tactile connection to the disappearing, impossible identity of home. Colonial history, folk Taoist mythology and provincial superstitions provide essential source material through which her work explores homelessness and nostalgia.

 

Lau’s terrace installation at Bronx Museum, The Primordial Molder, is a continuation of her large-scale ceramic sculpture series that ruminates on the Taoist creation myth: in the primordial world, Nüwa the Snake Goddess marked the beginning of humanity by patching a giant hole in heaven with five-colored stones, using the legs of a great turtle as pillars to support the collapsed sky from the earth. The Primordial Molder is the representation of Nüwa’s form as a snake that is both anthropomorphic and architectural. Its body curls and tangles around itself to form a ring – a symbol of eternal return and the infinite life cycle.

 

Heidi Lau grew up in Macau and currently works in Brooklyn. She has been features in exhibitions nationally and internationally in venues such as the Macao Museum of Art, Museum of Chinese in America, Wave Hill, Kniznick Gallery at Brandeis University and Real Art Ways. She has received numerous residencies and awards, including the Joan Mitchell Foundation Painters and Sculptors Grant, Emerging Artist Fellowship at Socrates Sculpture Park, Center for Book Arts Workspace Residency, Lower Manhattan Cultural Council Process Space and BRIC Media Arts Fellowship, among others. She completed the Bronx Museum’s Artist in the Marketplace (AIM) program in 2011.

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June 7, 2017 to October 22, 2017

fifty five years
my life in blood and panels
and brown gay ink

 

For the Bronx Museum's Community Gallery, Bronx-born Puerto Rican cartoonist Ivan Velez will exhibit a series of comics, drawings, and activist work spanning his renowned thirty-year career. 

Past

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October 6, 2013 - February 16, 2014

A comprehensive survey of the works of American sculptor Tony Feher, this exhibition features key artworks that use everyday objects and found materials in a post-minimalist aesthetic, displaying the richness and complexity of Feher’s investigations.  The exhibition is accompanied by a fully illustrated monograph and reveals Feher's very personal vocabulary developed and refined over the past decades. Organized by Claudia Schmuckli, Director and Chief Curator of Blaffer Art Museum at the University of Houston.

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ART IS OUR LAST HOPE
September 19, 2013 - April 13, 2014

Born in Recife, Brazil, Paulo Bruscky began his career in the late 1960s, becoming involved with the international mail-art movement and participating in Fluxus exhibitions around the world. In the following decades, he experimented with new media and performance. Bruscky’s work reflects a continuous engagement with Recife and its culture, filtered and documented in the artist’s books, photographs, and other media. Organized by Antonio Sergio Bessa, Director of Programs at The Bronx Museum of the Arts.

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October 13, 2013 - February 16, 2014

The Bronx is considered one of the most diverse communities in America, as well as the home of Hip Hop and Salsa. For the families who have called this borough a home, Orchard Beach remains a treasured respite from the sweltering confines of the concrete jungle.  Lawrence’s portraits of these summertime regulars celebrate the pride and dignity of those who frequent Orchard Beach.

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New California Art circa 1970

State of Mind: New California Art Circa 1970 is a thorough investigation of seminal conceptual and related avant-garde activities in the late 1960s and early 70s and the critical interchange between artists living in the Golden State. The exhibition demonstrates the immense changes in artistic practice that coincided with the burgeoning number of art schools...

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The Second AIM Biennial

Bronx Calling: The Second AIM Biennial features the work of seventy-three emerging artists engaged in the Artist in the Marketplace (AIM) Program (classes of 2012 and 2013). AIM provides professional development opportunities for emerging artists in the greater New York City area. The multi-site exhibition will be presented at the Bronx Museum of the Arts, Wave Hill, and 1285 Avenue of the Americas Art Gallery, and will be accompanied by a fully illustrated catalogue. Organized by Gabriel de Guzman, Elizabeth M. Grady, and Lia Zaaloff.

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A year ago, Todd Heisler—a New York Times staff photographer, who’s twice won the Pulitzer Prize for photography—and Susan Hartman—a journalist, whose stories have been featured in The New York Times, Newsday, and The Christian Science Monitor—collaborated on a photo essay about an extraordinary prayer call, which unites members of the Ebenezer Assembly of God Church in the Bronx...