Current

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July 22, 2017 to October 22, 2017

July 22, 2017 to October 22, 2017

 

Now in its fourth cycle, Bronx Calling: The Fourth AIM Biennial features the work of seventy-two emerging artists from the 2016 and 2017 classes of the Bronx Museum’s Artist in the Marketplace (AIM) program. AIM provides professional development resources to emerging artists living and working in the New York metropolitan area. The exhibition is organized by Aylet Ojeda Jequin, Associate Curator of Contemporary Art, National Museum of Fine Arts, Havana; and the Bronx Museum’s Christine Licata, Director of Community and Public Programs; and, Heather Reyes, independent curator.

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July 19, 2017 to October 22, 2017

July 19 - October 22, 2017

 

Heidi Lau’s practice centers on the recreation of histories that have been lost to time. Colonial history, folk Taoist mythology and provincial superstitions provide essential source material through which her work explores homelessness and nostalgia. Painstakingly crafted and glazed by hand, her ceramic work is modeled after ritual objects, columns, funereal monuments, and fossilized creatures, while simultaneously deconstructing, and rebuilding these models into new hybrid forms.

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June 7, 2017 to October 22, 2017

June 7, 2017 to October 22, 2017

 

fifty five years
my life in blood and panels
and brown gay ink

 

Bronx-born Puerto Rican cartoonist and educator Ivan Velez exhibits a series of drawings related to comics, as well as his activist work spanning his thirty-year career. 

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May 6, 2017 to November 2017

May 6, 2017 to November 2017

 

The Randall’s Island Park Alliance and the Bronx Museum of the Arts are pleased to present FLOW, an annual summer art exhibition located on Randall’s Island in New York City. FLOW is aimed at fostering appreciation of the history and ecology of the island through artistic expression. FLOW.17 will feature the Island of Empirical Data and Other Fabrications a series of site-specific installations conceived by Rose DeSiano, an alumna of the Bronx Museum's Artist in the Marketplace (AIM) program for emerging artists.

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June 16, 2016 - Ongoing

June 16, 2016 - Ongoing

 

Bronx Terminal Market, in collaboration with The Bronx Museum of the Arts, will showcase a new community mural inspired by scenic outdoor locations in the Bronx.

 

Upcoming

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November 8, 2017 to April 8, 2018

November 8, 2017 to April 8, 2018.

 

Best known for his monumental cuts, holes, apertures, and excisions to the facades of derelict homes and historic buildings in New York, New Jersey, Chicago, and abroad, Gordon Matta-Clark’s work conveys a potent critique of architecture's role vis-à-vis the capitalist system. Taking as a point of departure the pivotal series of “cuts” produced in the Bronx in the early 1970s that led to his further exploration of the city as a field of action, Gordon Matta-Clark: Anarchitect will examine the artist’s pioneering social, relational, and activist approach. The exhibition highlights the political dialogue inherent in the artist’s artistic interventions—from his concern for the extreme plight of the homeless, his interest in direct community engagement, his belief that we should expand our lived experience of a city into its underground and other inaccessible spaces, and his commentary on development and socioeconomic stratification.

 

Gordon Matta-Clark: Anarchitect includes over 100 artworks by the artist, rarely seen materials from his archive, and immersive film projections. On view beginning November 2017, Gordon Matta-Clark: Anarchitect is organized by Antonio Sergio Bessa, Bronx Museum Director of Curatorial and Education Programs; and Jessamyn Fiore, independent curator and co-director of the Matta-Clark Estate. Following the Bronx Museum presentation, the exhibition will travel to the Jeu de Paume in Paris, France, and the Kumu Art Museum in Tallinn, Estonia.

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*Please note this exhibition has been postponed until further notice.

Over the last fifty years, Cuban artist Manuel Mendive has developed a highly personal examination of the African spiritual tradition of Yoruba through the experimental lens of contemporary art. The artist’s multidisciplinary work, in particular his performances, has become a vehicle for exploring the intersections between art, religion, philosophy, ethics, and anthropology. At the Bronx Museum, Mendive will present a new body of works focused on his continued interest in Yoruba mythology, pondering on man’s relationship with nature and spirituality. Conceptualized as a cohesive group of paintings and sculptures, the overall installation suggests an “ancestral tour” to the heart of nature. Steeped in religious and philosophical ideas, Mendive’s artworks invite the viewer to immerse in a mythical search for identity. The exhibition will also feature a new performance in September 2017 created by Mendive specifically for the Bronx Museum.

Past

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December 4, 2014 to March 15, 2015

Bosco Sodi’s paintings and sculptures play with notions of experimentation and material spontaneity. In his latest installation, Sodi utilized the remains of sculptures damaged during Hurricane Sandy as a foundation to create new, durable artworks that could transcend the limits of time. The waterlogged remnants were clumped onto a circular base, creating a cluster of stalagmite shapes over a period of time, which were then cast in bronze. For Sodi, the physical process involved a balance of chance and minimal control, where the “goal is to find the accident that is achieved when many variables are involved.” 

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Thursday, November 6, 2014 to Sunday, January 4, 2015

Suture is the culmination of Michael Joo’s ongoing research about Cameron’s Line, the geological rift that straddles from Manhattan and the Bronx, through Ridgefield, Connecticut, and ultimately into Vermont.  As in Joo’s recent exhibition at the Aldrich Museum, the artworks on display at the Bronx Museum are site specific and conceived specifically for its lobby space. Joo is interested in alternative ways of looking at and depicting the land, using a vast array of photography and media techniques to match each location’s unique physiognomy. 

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works from the permanent collection
September 11, 2014 to February 15, 2015

Over the course of its forty-year history, the Bronx Museum has drawn together a significant collection of prints and graphic-art works, guided by its mission to give visibility to artists of African, Asian, and Latin American descent. For these artists, the print medium has been an invaluable tool for channeling their aesthetic and political concerns. Due to its mass reproducibility, economy, ease of distribution, and collaborative character, printmaking has long been considered a vehicle for social agency and has played a major role in politically mobilizing different communities and constituencies.

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September 11 to November 23, 2014

First shown in 1991 at MoMA PS1 as part of the exhibition And the Mind Grew Fingers, S- T- A- B- is an installation composed of welded rolled steel angle, steel plate and red vacuum formed letters that spell the word “stab” in fragments. S- T- A- B- can be seen as the diagram of a street fight, reflecting Oppenheim's goal to emulate the emotional, stuttered speech that occurs in extreme situations. The Bronx Museum's installation will present the entire work on its North Wing terrace.

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September 11, 2014 to January 11, 2015

The Bronx - Paris - Los Angeles - early 1990s - hip hop. This culture of music, dance, art and fashion is forever in its nascent and most authentic in Here I Am: Photographs by Lisa Leone. From Nas in the first studio recordings for what would become his iconic debut album Illmatic, to Snoop on the set of his first video, from ingénue Debi Mazar on the subway to Grandmaster Flash at a RockSteady reunion, Leone’s photographs open portals to the sounds, places and, most importantly, the people who forged and continue to influence the energy that is hip hop.

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World Trade Center: Concrete Abstract #2
August 28 to October 25, 2014

In 2011, Kremer was granted access to the construction site of One World Trade Center, where he photographed until 2013. Kremer’s Concrete Abstract series aims for an individual and universal response to the destruction and rebuilding of the World Trade Towers.  In each piece, he edits, dissects, layers and arranges a multitude of images to build unique and evocative abstract compositions. In some of the work, he includes details from images of the public record directly following the attacks. In conjunction with his solo exhibition at Julie Saul Gallery, and the opening of the new building, The Bronx Museum of the Arts along with The Museum of the City of New York and The Brooklyn Academy of Music will show individual images from the series.

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July 17 to November 16, 2014

SuperPuesto is a temporary pavilion by Terence Gower commissioned by The Bronx Museum of the Arts in collaboration with the Andrew Freedman Home for Beyond the Supersquare, the first U.S. museum exhibition to examine the complicated legacies of modernist architecture in Latin America and the Caribbean through the perspectives of 30 contemporary artists. With the goal of providing an immersive space for visitors to experience the exhibition’s artistic and architectural themes, SuperPuesto also serves as an annex for educational and public programs related to Beyond the Supersquare.

Location: Andrew Freedman Home Garden, 1125 Grand Concourse between 166th and McClellan Streets, Bronx

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Triple Point (Planetarium)
July 3 to August 24, 2014

Sarah Sze’s Triple Point (Planetarium), one of the works created for the U.S. Pavilion at the 2013 Venice Biennale, will be on view at The Bronx Museum of the Arts from July 3 to August 24, 2014.

 

Sze’s work attempts to navigate and model the ceaseless proliferation of information and objects in contemporary life. Incorporating elements of painting, architecture, and installation within her sculpture, Sze investigates the value we place on objects and explores how objects ascribe meaning to the places and times we inhabit. Sze’s U.S. Pavilion was consistently cited as one of the standout national pavilions at the 55th Venice Biennale.

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June 20 to September 21, 2014

Drift is based on Joo’s meditation on Cameron’s Line, an ancient suture fault that traces the edge of the continental collision that initiated the formation of the Appalachian Mountains. The line is defined by a belt of marble that connects Inwood in Manhattan, Morrisania in the Bronx, the Sawmill River in Westchester County, and the Housatonic River Valley in Connecticut and Massachusetts, as well as the famous quarries of Vermont. Curated by Richard Klein and Alyson Baker.

Michael Joo: Drift is on view at The Aldrich Contemporary Art Museum from April 6 to September 21, 2014. The companion exhibition Drift (Bronx) will be on view at The Bronx Museum of the Arts from June 20 through September 21, 2014.

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May 1, 2014 to January 11, 2015

Beyond the Supersquare explores the indelible influence of Latin American and Caribbean modernist architecture on contemporary art. The exhibition features over 30 artists and more than 60 artworks, including photography, video, sculpture, installation, and drawing, that respond to major Modernist architectural projects constructed in Latin America and the Caribbean from the 1920s through the 1960s. Beyond the Supersquare examines the complicated legacies of modernism through architecture and thought—as embodied by the political, economic, environmental, and social challenges faced by countries throughout Latin America—through the unique perspective of artists working today.

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May 1 to August 17, 2014

Shyu Ruey-Shiann works with different materials and media to explore themes related to our environment. The installation One Kind of Behavior is inspired by the quasi-mechanical movements of creatures such as the hermit crabs. The artist sees in the random opening and closing of their shells on the beach, a stark contrast with contemporary society where things move at high speed. Additionally, the fact that hermit crabs occupy shells discarded by other species becomes another source of interest to the artist, who sees in this special relationship a metaphor for our human condition. Contrasting man and animal behavior, One Kind of Behavior asks us to consider the environmental consequences of our mechanical impulses on nature. 

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May 1, 2014 to January 11, 2015

From Puerto Rico to the South Bronx, the casita, or “little house” in Spanish, is the social centerpiece and focal point of many community gardens. New York Restoration Project (NYRP), in partnership with the Urban Air Foundation, enlisted TEN Arquitectos and engineers at Buro Happold to rethink the traditional casita as a modular kit of parts. NYRP staff will work with members of the Willis Avenue Community Garden in Mott Haven, Bronx, to assemble the pilot structure in their garden in Spring 2014.

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Performing the Library
May 1 to May 31, 2014

Bronx Lab: Performing the Library displays the outcome of a workshop, entitled "Performing the Library," held in the Summer of 2013 at the Università Iuav di Venezia (IUAV) as an intensive 3-weeks university-level studio whose aim was to design one or more "library" spaces. A video about the workshop’s activities and process accompanies boards illustrating the students’ projects, and study models that contain objects belonging to members of their own families, which were used to establish spatial relationships as conceptual stage-sets for future buildings.

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Art and Music at Randall's Island
May 18 to November, 2014

The Randall’s Island Park Alliance, the Bronx Museum of the Arts and Made Event are pleased to present FLOW annual summer art exhibitions along the shoreline at Randall’s Island Park in New York City. FLOW is aimed at fostering appreciation of the shoreline through artistic expression, while calling visitors to interact with and care for the Park’s island environment. Each year, FLOW features site specific projects by participants in the Bronx Museum’s Artists in the Marketplace (AIM) program for emerging artists.

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March 16 to August 24, 2014

The series of paintings Veterans conveys rarely told personal stories of American men and women from the U.S. Military. The paintings, interviews conducted by the artist, and the accompanying stories by Sophie Rand convey the pressing need for a civilian awareness of the realities and experiences of veterans from current and past generations. The ten paintings selected for this exhibition focus primarily on Bronx residents, including portraits of Leroy Archible and Carmen Rodriguez, who were instrumental in introducing Talbot to veterans in the Bronx.

 

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March 6 to April 7, 2014

Featuring works by: TSENG KWONG CHI, HUMA BHABHA, JAMEL SHABAZZ, LUIS GISPERT, AARON SISKIND, TEHCHING HSIEH, SARAH LUCAS, DAVID S. ALLEE.