Current

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February 17, 2017 to July 3, 2017

February 17, 2017 to July 3, 2017

 

Wild Noise/Ruido Salvaje is an exploration of contemporary Cuban art from the 1970s to the present that looks at how Cuban artists both on the island and abroad have grappled with issues of identity, community, and the urban experience. Bringing together over 60 works by more than 30 artists from the Bronx Museum collection and other U.S. institutions and private collections, the exhibition will feature many artworks that will be publicly exhibited for the first time.

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March 1, 2017 to June 11, 2017

March 1, 2017 to June 11, 2017

 

Love Thy Neighbor is the third and final part of The Neighbors, an exhibition series guest curated by Sofía Hernández Chong Cuy for The Bronx Museum of the Arts. In this third iteration of the series, “the neighbor” is characterized as the figure of the “Other,” that is, an entity viewed as distinctly foreign from the community, but who ultimately plays a role in the group. By centering on the representation of cultural difference, Love Thy Neighbor is meant to be an occasion for considering alterity, for how diversity sensibly builds society. The exhibition features new work by visual artists Firelei Baez, Ignacio González-Lang, and Irvin Morazan, with the intent of exploring the cultural processes of “othering.” 
 

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March 1, 2017 to July 3, 2017

March 1, 2017 to July 3, 2017

 

The seven-part painting Reflecting on the Familiar is Hauben’s attempt at capturing the sense of envelopment, enormity, and often, of the incomprehension that comes with living in the congested urban environment of The Bronx. Rather than depicting just a small portion of his expansive view, Hauben enlarges the scale to create a multi-faceted vision of the world around him.

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March 1, 2017 to June 25, 2017

March 1, 2017 to June 25, 2017

 

At the Bronx Museum’s Terrace, Arlene Slavin will present a group of sculptures from Intersections, a series that plays off the principle of the sundial. In these works, Slavin employs crisscrossed, translucent colored webs which remain stable, while the shadow created by the works is in perpetual change. In addition to the works on the Terrace, Slavin will also create a site-specific installation with colored films on the windows in the Museum’s Second Floor, producing a modern riff on stained glass.

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May 6, 2017 to November 2017

May 6, 2017 to November 2017

 

The Randall’s Island Park Alliance and the Bronx Museum of the Arts are pleased to present FLOW, an annual summer art exhibition located on Randall’s Island in New York City. FLOW is aimed at fostering appreciation of the history and ecology of the island through artistic expression. FLOW.17 will feature the Island of Empirical Data and Other Fabrications a series of site-specific installations conceived by Rose DeSiano, an alumna of the Bronx Museum's Artist in the Marketplace (AIM) program for emerging artists.

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May 3, 2017 to May 29, 2017

May 3, 2017 to May 29, 2017

 

Organized by The Bronx Museum of the Arts Teen Council, this exhibition features artworks by New York City-based teen artists responding to the notion of time.

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June 16, 2016 - Ongoing

June 16, 2016 - Ongoing

 

Bronx Terminal Market, in collaboration with The Bronx Museum of the Arts, will showcase a new community mural inspired by scenic outdoor locations in the Bronx.

 

Upcoming

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November 8, 2017 to April 8, 2018

November 8, 2017 to April 8, 2018.

 

Best known for his monumental cuts, holes, apertures, and excisions to the facades of derelict homes and historic buildings in New York, New Jersey, Chicago, and abroad, Gordon Matta-Clark’s work conveys a potent critique of architecture's role vis-à-vis the capitalist system. Taking as a point of departure the pivotal series of “cuts” produced in the Bronx in the early 1970s that led to his further exploration of the city as a field of action, Gordon Matta-Clark: Anarchitect will examine the artist’s pioneering social, relational, and activist approach. The exhibition highlights the political dialogue inherent in the artist’s artistic interventions—from his concern for the extreme plight of the homeless, his interest in direct community engagement, his belief that we should expand our lived experience of a city into its underground and other inaccessible spaces, and his commentary on development and socioeconomic stratification.

 

Gordon Matta-Clark: Anarchitect includes over 100 artworks by the artist, rarely seen materials from his archive, and immersive film projections. On view beginning November 2017, Gordon Matta-Clark: Anarchitect is organized by Antonio Sergio Bessa, Bronx Museum Director of Curatorial and Education Programs; and Jessamyn Fiore, independent curator and co-director of the Matta-Clark Estate. Following the Bronx Museum presentation, the exhibition will travel to the Jeu de Paume in Paris, France, and the Kumu Art Museum in Tallinn, Estonia.

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July 22, 2017 to October 22, 2017

July 22, 2017 to October 22, 2017

 

Now in its fourth cycle, Bronx Calling: The Fourth AIM Biennial features the work of seventy-two emerging artists from the 2016 and 2017 classes of the Bronx Museum’s Artist in the Marketplace (AIM) program. AIM provides professional development resources to emerging artists living and working in the New York metropolitan area. The exhibition is organized by Aylet Ojeda Jequin, Associate Curator of Contemporary Art, National Museum of Fine Arts, Havana; and the Bronx Museum’s Christine Licata, Director of Community and Public Programs; and, Heather Reyes, Exhibitions and Collections Manager. The exhibition will be accompanied by a fully illustrated catalog.

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July 19, 2017 to October 22, 2017

July 19 - October 22, 2017

 

Heidi Lau’s practice centers on the recreation of histories that have been lost to time. Painstakingly built and glazed by hand, her ceramic work is modeled after ritual objects, columns, funereal monuments, and fossilized creatures, while simultaneously infesting, deconstructing, and rebuilding them on a cellular level. Lau uses symbolic artifacts and zoomorphic ruins as symbols of the archaic and the invisible, taking inspiration from colonial architecture and tenement houses in Macau that have mostly been demolished or gentrified beyond recognition. In the process, she continuously reenacts the non-linearity and materiality of the past, molding a tactile connection to the disappearing, impossible identity of home. Colonial history, folk Taoist mythology and provincial superstitions provide essential source material through which her work explores homelessness and nostalgia.

 

Lau’s terrace installation at Bronx Museum, The Primordial Molder, is a continuation of her large-scale ceramic sculpture series that ruminates on the Taoist creation myth: in the primordial world, Nüwa the Snake Goddess marked the beginning of humanity by patching a giant hole in heaven with five-colored stones, using the legs of a great turtle as pillars to support the collapsed sky from the earth. The Primordial Molder is the representation of Nüwa’s form as a snake that is both anthropomorphic and architectural. Its body curls and tangles around itself to form a ring – a symbol of eternal return and the infinite life cycle.

 

Heidi Lau grew up in Macau and currently works in Brooklyn. She has been features in exhibitions nationally and internationally in venues such as the Macao Museum of Art, Museum of Chinese in America, Wave Hill, Kniznick Gallery at Brandeis University and Real Art Ways. She has received numerous residencies and awards, including the Joan Mitchell Foundation Painters and Sculptors Grant, Emerging Artist Fellowship at Socrates Sculpture Park, Center for Book Arts Workspace Residency, Lower Manhattan Cultural Council Process Space and BRIC Media Arts Fellowship, among others. She completed the Bronx Museum’s Artist in the Marketplace (AIM) program in 2011.

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June 7, 2017 to October 22, 2017

fifty five years
my life in blood and panels
and brown gay ink

 

For the Bronx Museum's Community Gallery, Bronx-born Puerto Rican cartoonist Ivan Velez will exhibit a series of comics, drawings, and activist work spanning his renowned thirty-year career. 

Past

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November 4, 2015 to March 13, 2016

November 4, 2015 to March 13, 2016

 

Martin Wong: Human Instamatic will be the first museum retrospective of the work of Chinese-American painter Martin Wong (1946-1999) since his untimely death. The exhibition will offer the first in-depth assessment of Wong’s formal contributions as a painter, placing his work in line with such 20th-century painters as Marsden Hartley and Alice Neel, both renowned for their insightful portraits of the communities in which they lived. Co-curated by Sergio Bessa and Yasmin Ramírez, the exhibition will feature over 90 of Wong’s paintings with rarely-seen archival materials from the Martin Wong Papers at the Fales Library of New York University.

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Artworks from the Permanent Collection
October 24, 2015 to January 17, 2016

October 24, 2015 to January 17, 2016

 

The exhibition reflects on the legacy of constructivist art as reinterpreted by contemporary  artists. Featuring works by Vito Acconci, Joseph Albers, Paul Chan, Marcelo Cidade, Glenn Goldberg, Mary Heilmann, Elizabeth Jobim, Jarbas Lopes, Dennis Oppenheim, and Liliana Porter. In addition, a group of chairs by Mary Heilmann especially commissioned by the Whitney Museum suggests the connection between art and design.

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October 15, 2015 to February 14, 2016

October 15, 2015 to February 14, 2016

 

The Bangladeshi American Creative Collective (BACC) is proud to present Transitions: New Photography from Bangladesh. With the rise of factories, investors, and development, the landscape of Bangladesh is changing. This exhibition will feature nine Bangladeshi photographers whose work reflects a diverse group of people, shifting economies, and changing lands. Its aim is to not only to collect and exhibit photography as art; but also as ideas about the country of Bangladesh.

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September 26, 2015 to February 14, 2016

September 26, 2015 to February 14, 2016

 

Trees Are Alphabets considers how the sun, rain, wind, and soil constantly transform the shapes of trees since evolving in primeval forests. Artist E. J. McAdams sees in these transformations a vision of an epiphenomenon – like a text – that is forever changing. For the duration of the exhibition, McAdams will write with tree branches, in the hope to make space for a resonant poetic emanation to emerge out of this human-tree collaboration.

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The Third AIM Biennial
July 9 to September 20, 2015

July 9 to September 20, 2015

 

Curated by Bronx-based artists Hatuey Ramos-Fermín and Laura Napier, Bronx Calling: The Third AIM Biennial features the work of seventy-two emerging artists engaged in the Artist in the Marketplace (AIM) Program (classes of 2014 and 2015). AIM provides professional development opportunities for emerging artists residing and working in the New York metropolitan area. 

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July 2 to October 18, 2015

July 2 to October 18, 2015

 

Organized by guest curators Johanna Fernández and Yasmín Ramírez, ¡Presente! The Young Lords in New York was the first museum survey to examine the radical social group founded by Puerto Rican youth in New York and Chicago in the 1960s. The Young Lords’ impactful political activities, community-focused initiatives, and spirited affirmation of Puerto Rican identity inspired both a generation of artists active during this era and artists working today. 

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Outdoor Art on Randall's Island
May 30 to November 2015

May 30 to November 2015

 

The Randall’s Island Park Alliance, the Bronx Museum of the Arts and Made Event are pleased to present FLOW annual summer art exhibitions along the shoreline at Randall’s Island Park in New York City. FLOW is aimed at fostering appreciation of the shoreline through artistic expression, while calling visitors to interact with and care for the Park’s island environment. Each year, FLOW features site specific projects by participants in the Bronx Museum’s Artists in the Marketplace (AIM) program for emerging artists.

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May 28 to June 14, 2015

May 28 to June 14, 2015

 

An exhibition of teen artwork curated by The Bronx Museum Teen Council: "As millennials we grew up under the influence of video games; they taught us all about secrets and boundaries. They showed us that secrets make the game interesting, and we learned how to destroy and build boundaries in order to access those secrets. Secrets and boundaries are significant because they make us human. In a world without secrets and boundaries, we would be unable to distinguish between our inner and outer selves. This exhibition showcases artwork that explores these themes alongside works from the museum's permanent collection."

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May 21 to July 12, 2015 at El Museo Nacional de Bellas Artes

May 21 to July 12, 2015

 

The Bronx Museum of the Arts and El Museo Nacional de Bellas Artes de La Habana (MNBA) have announced an unprecedented joint arts initiative that is the culmination of years of planning and collaboration. Wild Noise: Artwork from The Bronx Museum of the Arts and El Museo Nacional de Bellas Artes represents the most extensive visual arts exchange between the two countries in more than 50 years, and will include major exhibitions at MNBA and the Bronx Museum; an artist exchange with U.S. artist Mary Mattingly and Cuban artist Humberto Diaz; a teen exchange program; a series of educational and public programs; and the publication of a dual-language publication that will extend the impact of Wild Noise beyond the audiences that participate directly in the initiative.

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March 29 to June 14, 2015

March 29 to June 14, 2015

 

The selection of works presented in Jaime Davidovich: Adventures of the Avant-Garde charts the artist’s transit through different iterations of the avant-garde; from an early exploration in the monochrome’s possibilities and spatial concerns that would also later inform his site-specific works of the late sixties and early seventies, to the video works of the of the same period up until the 1990s, which not only pioneered the use of television as a medium but also addressed themes such as identity, diaspora and globalization.

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March 26 to June 21, 2015

March 26 to June 21, 2015

 

Featuring three new works, the terrace installation Please Touch conveys artist Raul Mourão's awareness of the city, with its characters, architecture, objects and accidents. Displaced from their original sites and stripped of any function, mundane street elements are further altered in shape and scale by the artist. With its humorous nods to constructive and conceptual art, Please Touch entails active contemplation from the spectator, in that it extends familiar objects into the arena of the nonsensical.
 

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Works from the Shelley and Donald Rubin Private Collection
March 19 to June 21, 2015

March 19 to June 21, 2015

 

The recent announcement of a new re-engagement policy between the United States and Cuba has increased the level of expectation as to what the future of the island will be. While this new political openness will undoubtedly attract new markets and an influx of foreign investment, truly creative solutions for the local communities and their diverse culture will have to come from within.  By featuring a selection of works from the Shelley and Donald Rubin Private Collection, the exhibition Cuba Libre! suggests that contemporary Cuban artists have already been engaged in this discussion, providing thoughtful materials for their audiences to ponder on their diversity and rich historical legacy.

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Jules Aarons, Morton Broffman, and Joe Conzo
February 26 to June 14, 2015

February 26 to June 14, 2015

 

Three Photographers from the Bronx showcases work by three Bronx-born photographers who captured significant moments of societal and urban change in the borough and across the country during a period marked by important social, cultural and political transformations. The exhibition features over 80 works, from depictions of daily life in the Bronx and Far Rockaways in the early 1950s, to images of the Civil Rights Movement of the 1960s, to a searing look at Bronx community protests in the early 1980s. Together these works create an exchange across three distinct and intertwined moments, exploring the legacy of community activism and urban change and launching a dialogue surrounding the challenges the Bronx and similar communities continue to face today.

 

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February 12 to May 31, 2015
February 12 to May 31, 2015
 
Escape Route: Paintings and Drawings by Jeffrey Spencer Hargrave will present a selection of works by the New York based artist created from 2011 to 2014 that deal with issues related to race, religion and sexuality. Since 1998 Hargrave has produced a compelling, deeply personal body of work incorporating painting, drawing, sculpture and video that explore the dynamics between race, sexuality and religion in relation to his upbringing in the south and early adulthood as an African American gay male coming to terms with racial and sexual identity.
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January 29 to June 28, 2015

January 29 to June 28, 2015

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from the Arachnae Series by Aristides Logothetis
January 15 to April 12, 2015

Craft And Colony: from the Arachnae Series by Aristides Logothetis presents a new large sculpture by New York-based artist Aristides Logothetis created in 2014 that deals with issues related to the many ways visual signs are coded through culture, and then used as support of systems, constructs, and power hierarchies. Since the 1990’s Logothetis has produced a diverse body of work incorporating sculpture, painting, photography, collage, and installation that explore visual perception and its relationship to a reordered, very personal combination of formalism, narrative, process, and metaphor.