Current

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July 22, 2017 to October 22, 2017

July 22, 2017 to October 22, 2017

 

Now in its fourth cycle, Bronx Calling: The Fourth AIM Biennial features the work of seventy-two emerging artists from the 2016 and 2017 classes of the Bronx Museum’s Artist in the Marketplace (AIM) program. AIM provides professional development resources to emerging artists living and working in the New York metropolitan area. The exhibition is organized by Aylet Ojeda Jequin, Associate Curator of Contemporary Art, National Museum of Fine Arts, Havana; and the Bronx Museum’s Christine Licata, Director of Community and Public Programs; and, Heather Reyes, independent curator.

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July 19, 2017 to October 22, 2017

July 19 - October 22, 2017

 

Heidi Lau’s practice centers on the recreation of histories that have been lost to time. Colonial history, folk Taoist mythology and provincial superstitions provide essential source material through which her work explores homelessness and nostalgia. Painstakingly crafted and glazed by hand, her ceramic work is modeled after ritual objects, columns, funereal monuments, and fossilized creatures, while simultaneously deconstructing, and rebuilding these models into new hybrid forms.

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June 7, 2017 to October 22, 2017

June 7, 2017 to October 22, 2017

 

fifty five years
my life in blood and panels
and brown gay ink

 

Bronx-born Puerto Rican cartoonist and educator Ivan Velez exhibits a series of drawings related to comics, as well as his activist work spanning his thirty-year career. 

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May 6, 2017 to November 2017

May 6, 2017 to November 2017

 

The Randall’s Island Park Alliance and the Bronx Museum of the Arts are pleased to present FLOW, an annual summer art exhibition located on Randall’s Island in New York City. FLOW is aimed at fostering appreciation of the history and ecology of the island through artistic expression. FLOW.17 will feature the Island of Empirical Data and Other Fabrications a series of site-specific installations conceived by Rose DeSiano, an alumna of the Bronx Museum's Artist in the Marketplace (AIM) program for emerging artists.

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June 16, 2016 - Ongoing

June 16, 2016 - Ongoing

 

Bronx Terminal Market, in collaboration with The Bronx Museum of the Arts, will showcase a new community mural inspired by scenic outdoor locations in the Bronx.

 

Upcoming

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November 8, 2017 to April 8, 2018

November 8, 2017 to April 8, 2018.

 

Best known for his monumental cuts, holes, apertures, and excisions to the facades of derelict homes and historic buildings in New York, New Jersey, Chicago, and abroad, Gordon Matta-Clark’s work conveys a potent critique of architecture's role vis-à-vis the capitalist system. Taking as a point of departure the pivotal series of “cuts” produced in the Bronx in the early 1970s that led to his further exploration of the city as a field of action, Gordon Matta-Clark: Anarchitect will examine the artist’s pioneering social, relational, and activist approach. The exhibition highlights the political dialogue inherent in the artist’s artistic interventions—from his concern for the extreme plight of the homeless, his interest in direct community engagement, his belief that we should expand our lived experience of a city into its underground and other inaccessible spaces, and his commentary on development and socioeconomic stratification.

 

Gordon Matta-Clark: Anarchitect includes over 100 artworks by the artist, rarely seen materials from his archive, and immersive film projections. On view beginning November 2017, Gordon Matta-Clark: Anarchitect is organized by Antonio Sergio Bessa, Bronx Museum Director of Curatorial and Education Programs; and Jessamyn Fiore, independent curator and co-director of the Matta-Clark Estate. Following the Bronx Museum presentation, the exhibition will travel to the Jeu de Paume in Paris, France, and the Kumu Art Museum in Tallinn, Estonia.

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*Please note this exhibition has been postponed until further notice.

Over the last fifty years, Cuban artist Manuel Mendive has developed a highly personal examination of the African spiritual tradition of Yoruba through the experimental lens of contemporary art. The artist’s multidisciplinary work, in particular his performances, has become a vehicle for exploring the intersections between art, religion, philosophy, ethics, and anthropology. At the Bronx Museum, Mendive will present a new body of works focused on his continued interest in Yoruba mythology, pondering on man’s relationship with nature and spirituality. Conceptualized as a cohesive group of paintings and sculptures, the overall installation suggests an “ancestral tour” to the heart of nature. Steeped in religious and philosophical ideas, Mendive’s artworks invite the viewer to immerse in a mythical search for identity. The exhibition will also feature a new performance in September 2017 created by Mendive specifically for the Bronx Museum.

Past

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February 17, 2017 to July 3, 2017

February 17, 2017 to July 3, 2017

 

Wild Noise/Ruido Salvaje is an exploration of contemporary Cuban art from the 1970s to the present that looks at how Cuban artists both on the island and abroad have grappled with issues of identity, community, and the urban experience. Bringing together over 60 works by more than 30 artists from the Bronx Museum collection and other U.S. institutions and private collections, the exhibition will feature many artworks that will be publicly exhibited for the first time.

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March 1, 2017 to June 11, 2017

March 1, 2017 to June 11, 2017

 

Love Thy Neighbor is the third and final part of The Neighbors, an exhibition series guest curated by Sofía Hernández Chong Cuy for The Bronx Museum of the Arts. In this third iteration of the series, “the neighbor” is characterized as the figure of the “Other,” that is, an entity viewed as distinctly foreign from the community, but who ultimately plays a role in the group. By centering on the representation of cultural difference, Love Thy Neighbor is meant to be an occasion for considering alterity, for how diversity sensibly builds society. The exhibition features new work by visual artists Firelei Baez, Ignacio González-Lang, and Irvin Morazan, with the intent of exploring the cultural processes of “othering.” 
 

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March 1, 2017 to July 3, 2017

March 1, 2017 to July 3, 2017

 

The seven-part painting Reflecting on the Familiar is Hauben’s attempt at capturing the sense of envelopment, enormity, and often, of the incomprehension that comes with living in the congested urban environment of The Bronx. Rather than depicting just a small portion of his expansive view, Hauben enlarges the scale to create a multi-faceted vision of the world around him.

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March 1, 2017 to June 25, 2017

March 1, 2017 to June 25, 2017

 

At the Bronx Museum’s Terrace, Arlene Slavin will present a group of sculptures from Intersections, a series that plays off the principle of the sundial. In these works, Slavin employs crisscrossed, translucent colored webs which remain stable, while the shadow created by the works is in perpetual change. In addition to the works on the Terrace, Slavin will also create a site-specific installation with colored films on the windows in the Museum’s Second Floor, producing a modern riff on stained glass.

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February 15, 2017 to April 23, 2017

Bronx-born photographer Clayton Frazier has balanced a career in special education and history with his work creating publicity and video presentations for companies such as CBS, Warner Brothers, Arista Records, the United Nations, in addition to his membership in the photographic and video unit of the New York District Attorney’s Office. For this exhibition, Frazier presents a series of photographs from his time in the music and television industry alongside documentary images from the island of Saint Dominique, known today as Haiti (as well as the Dominican Republic). 

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January 4 - Ongoing

In honor of Black History Month, the Bronx Museum is featuring four works by the Bronx-born photographer Morton Broffman.

 

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January 4 – February 5, 2017

This month the Bronx Museum highlights the work of Brazilian artist Öyvind Fahlström. Working in a wide range of media and themes, Fahlström avoided affiliation with any art category throughout his brief albeit productive career. Equally influenced by surrealism, pop art, situationism, and even documentary filmmaking, Fahlström borrowed imagery and styles from comics and the media to create original and relevant artworks that unmask the absurdities of modern society.

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May 3, 2017 to May 29, 2017

May 3, 2017 to May 29, 2017

 

Organized by The Bronx Museum of the Arts Teen Council, this exhibition features artworks by New York City-based teen artists responding to the notion of time.