Current

Although admission is still FREE, for the health and safety of our staff and community, we are requiring visitors to book timed tickets in advance.
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Home is a familiar place where you can find comfort in your surroundings. During the quarantine home has also become a space to learn, grow, build and rest. Each of the artworks we selected depicts our cultures and community as we see them. By showing the perspectives of the less represented lives of the people of New York we are centering the positive aspects of our city: our home.
 
This exhibit was curated by the Bronx Museum's Teen Council in the winter of 2020-21 and features works from the Museum's permanent collection.
 
 

El hogar es un lugar que se nos hace familiar donde una persona se encuentra cómoda con lo que le rodea. Durante la cuarentena el hogar se ha vuelto un espacio donde aprender y crecer, crear y descansar. Cada una de las obras que seleccionamos representan nuestras cultura y comunidades como las vemos. Al mostrar las perspectivas de las vidas con menos representación en la ciudad de Nueva York nos dedicamos a prestarle atención a los aspectos positivos de nuestra ciudad: nuestro hogar.

La curaduría de esta muestra estuvo a cargo del Concejo de jóvenes del Bronx durante el invierno del 2020-21 y presenta obras de la colección permanente del museo.

 

 

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January 21, 2021 - May 30, 2021

Shaun Leonardo: The Breath of Empty Space presents drawings by the Brooklyn-based artist that critique how mediated images of systemic violence against Black and Brown young men in contemporary American history have shaped our fear, empathy, and perception. Created between 2014 and 2019, the works trace high profile stories of lives ended or forever altered by systems of law enforcement from the 1970s to today. 

 

Shaun Leonardo: The Breath of Empty Space, El aliento del espacio vacío, presenta dibujos, del artista basado en Brooklyn, que critica cómo las imágenes mediatizadas de la violencia sistémica en contra de jóvenes negros y otras personas de color  en la historia contemporánea de los Estados Unidos han moldeado nuestro miedo, empatía y percepción. Creadas entre el año 2014 y 2019, las obras trazan las historias de alto perfil de las vidas perdidas o alteradas para siempre por los sistemas policíacos desde la década de 1970 hasta hoy en día.

 
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November 24, 2020 - May 24, 2021

The Bronx Museum of the Arts is expanding outside with #SeeMeBronx, an interactive project about visibility, intersectionality, and identity. The project kicks off the Museum's 50th anniversary, which is focused on visibility as a tenet of social justice. As we take off into our next fifty years, we hope to reaffirm our mission as an admission-free, liberated space for communities to come to enjoy art and have important conversations. #SeeMeBronx was created as a way to spark conversations within our many intersecting communities about identity, equity, and inclusion. Sometimes the best way to dive into dialogue is by asking tough but important questions. We hope you will join us in shaping the conversation with your queries. 

 

Upcoming

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October 20, 2021 - January 16, 2022

This fall, the Museum will showcase Bronx Calling: The Fifth AIM Biennial, an exhibition series highlighting artists from the Bronx Museum’s AIM professional development fellowship program. Since its inception, AIM has supported over 1,200 artists, including Diana Al-Hadid, Firelei Báez, Njideka Akunili Crosby, Abigail DeVille, LaToya Ruby Frazier, Glenn Ligon, Sarah Oppenheimer, Jacolby Satterwhite, and Lucia Hierro. The fifth iteration of Bronx Calling will showcase the work of 69 New York City-based emerging artists from the 2018 and 2019 cycles.

 

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April 28, 2021 - September 12, 2021

Born In Flames: Feminist Futures​ dives into the speculative, globally informed visions of artists who explore the possibilities of new futures. This group exhibition of femme-identified artists critically examines current struggles for equity by exploring strategies for justice and equality through multifaceted futurisms. Including works created over the last five decades, the show demonstrates not only the artists' place within a futurist lineage, but also exposes the ongoing impulse to imagine new realities on their own terms. Artists Include: Caitlin Cherry​, Chitra Ganesh​, Clarissa Tossin, Huma Bhaba, Firelei Baez, Lizzie Borden​, Maria Berrio, Pamela Phatsimo Sunstrum, Rose B. Simpson, Saya Woolfalk, Shoshanna Weinberger, Tourmaline, Wangechi Mutu, and Sin Wai Kin fka Victoria Sin. 

Past

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November 14, 2018 to February 17, 2019

Widely recognized for his large scale paintings that incorporate silkscreens of blown up drawings, Eddie Martinez has built a consistent body of work over the last decade successfully merging the tradition of American abstract painting with the energy of the street. In this new body of work, created especially for this exhibition, Martinez introduces yet a new element to his process in the guise of whiting out parts of the composition, a move that represents a significant point in his career.

 

 

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November 7, 2018 to March 3, 2019

Bronx native Rochelle Feinstein's work is deeply informed by abstraction, while also conveying a keen sensibility to contemporary culture, particularly to our everyday use of language. Over the last four decades, Feinstein has probed the relevance of the abstract painting tradition vis-a-vis a rapidly changing cultural environment. She has used the lexicon of abstract painting to approach subjects of both personal and social import.

 

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What happens when an artist disengages, psychically if not ideologically, from the margins? Can those in the mainstream responsibly acknowledge and harness their status toward progressive art in the US and elsewhere? These pressing questions inform the narrative structure of the installation Aloha to the World at the Don Ho Terrace, an imagined meandering to and from Hong Kong (and possibly back in time) from where Christopher K. Ho emigrated at age four. 

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Featuring Photographs by John Rowe

July 25, 2018 to November 4, 2018
 

Over the last fifty years, Cuban artist Manuel Mendive has developed a sophisticated and pointed examination of the influence of African oral-based traditions on Cuba through the experimental lens of contemporary art. His multidisciplinary work, in particular performances, has become a vehicle for exploring the intersections between art, religion, philosophy, politics, ethics, and anthropology. At the Bronx Museum, Mendive will present a new body of works focused on his continued visual interpretation of narratives of Yorùbá-Lucumí culture and wisdom literature, extending to the universal ideas and relationships between humans and nature.

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July 18, 2018 to October 14, 2018

July 18, 2018 to October 14, 2018

 

The Bronx Museum of the Arts is proud to present an exhibition of works by Diana Al-Hadid organized in collaboration with San José Museum of Art curator Lauren Schell Dickens. On view at the Bronx Museum from July 18 through October 14, 2018, the centerpiece of Diana Al-Hadid: Delirious Matter will be the monumental sculpture Nolli’s Orders (2012), inspired by Giambattista Nolli’s landmark 1748 map of Rome, the first of its kind to show the public spaces of the city.

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June 6, 2018 to September 23, 2018

June 6, 2018 to September 23, 2018

 

Photojournalist Randy H. Goodman captured life in the Islamic Republic of Iran during both the hostage crisis and the Iran-Iraq War. She returned in 2015, after thirty-three years, to photograph at yet another pivotal time in US - Iran relations — the signing of the Iran nuclear agreement. Her portraits and street scenes of WOMEN ONLY, from both periods, present a unique perspective on that country’s past and its future.

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May 16, 2018 to July 18, 2018

May 16, 2018 to July 18, 2018

 

This exhibition in honor of the late Tim Rollins takes as its departure point the concept of dialog that was central to his vision as an artist and educator. Deeply influenced by the educational theories of Brazilian philosopher Paulo Freire, Rollins used dialog to bring out the truth in each pupil, harmonizing different voices in their varied nuances. Working as a Public School teacher in the South Bronx starting in 1981, his educational approach was pivotal in infusing a sense of pride and belonging among students that often felt alienated from the mainstream. For Rollins, the idea of dialog was also an integral part of his art practice, and we might consider the whole of his collaboration with K.O.S. as a sustained dialog not only among members of the group, but most importantly, with great interlocutors of the past, like W.E.B. DuBois, Martin Luther King, George Orwell, and Franz Kafka to mention but a few.

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May 2, 2018 to May 28, 2018

May 2, 2018 to May 28, 2018

 

Organized by The Bronx Museum of the Arts Teen Council, The Mind’s Abstraction features artwork created by New York City-based teen artists. Young people were invited to submit artworks expressing their personal perspectives on mental health, though an open call. From the submissions, Teen Council selected the artworks on display in this gallery for their annual exhibition.

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April 25, 2018 to July 1, 2018

April 25, 2018 to July 1, 2018

 

Oded Halahmy: Exile is Home includes over 100 works representing Halahmy’s work from the mid-1960s to the present and features a selection of Judaica – handmade by the artist for Hanukkah and Sukkah celebrations with close friends. Halahmy currently lives and works in New York and Old Jaffa, Israel. His work has been included in numerous solo and group exhibitions throughout the United States, Europe and the Middle East. 

 

Oded Halahmy: Exile is Home is organized by guest curator: Margaret Mathews-Berenson, and made possible by the lead sponsorship of an anonymous patron and the additional support of the Bronx Museum’s Director’s Circle.

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April 18, 2018 to September 16, 2018

April 18, 2018 to September 16, 2018

 

Landing / Aterrizaje is solo show of Bronx artist Moses Ros’ sculptures on the Bronx Museum’s Sculpture Terrace. The work is inspired by recent migrations to the United States caused by environmental and manmade disasters and catastrophes that have wrenched people away from their homelands. In this series, Ros focuses on the Caribbean experience, creating large, freestanding sculptures based on a main staple and export of the islands, the platano (plantain banana).  Using cut-out, plywood sheets to form a type of DIY “assembly kit” of the work, the large-scale, painted winged forms, along with the post-cut template panels that once held them are juxtaposed within the space.