Louis Bury writes, "“Trees Are Alphabets” represents a naturalist’s contribution to the traditions of concrete poetry and visual poetry, the latter of which is currently experiencing a re-efflorescence thanks to the ease of its digital production and dissemination."
Perhaps inspired by his earlier work as a NYC urban park ranger, E. J. McAdams is interested in how we attend to the forces in our environment. Therefore, the attempt to read natural or built elements that surround us has become a major focus in his work. For his installation at The Bronx Museum of the Arts' Terrace, McAdams was inspired by French philosopher Roland Barthes’ observation that “According to the Greeks, trees are alphabets.”
Trees Are Alphabets considers how the sun, rain, wind, and soil constantly transform the shapes of trees since evolving in primeval forests. McAdams sees in these transformations a vision of an epiphenomenon – like a text – that is forever changing. For the duration of the exhibition, McAdams will write with tree branches, in the hope to make space for a resonant poetic emanation to emerge out of this human-tree collaboration.
About the artist
E.J. McAdams is a poet, artist, and collaborator who lives in Harlem. He explores language and mark-making in the urban environment using procedures and improvisation with found and natural materials. One of his text-collages was included in the mail art exhibit “Focus Latin America: Art Is Our Last Hope” at Phoenix Art Museum. An ongoing series, TRANSECTs, was featured in The Volta and About Place Journal, and published as a chapbook by Sona Books. He was a founding board member of the interdisciplinary Laboratory of Art Nature and Dance (iLAND) from 2004-14 and curated the Social-Environmental-Aesthetics (SEA) reading series at Exit Art that featured poets, visual artists and activists in conversation from 2009-11.